Joe R. Lansdale, whose acclaimed new novel EDGE OF DARK WATER caused New York Journal of Books to proclaim it has “all the potential of becoming a classic, read by generations to come,” recently took some time out of his day to talk with Mulholland Books about his inspirations and writing process while his novel works its way into bookstores across the country.
Missed Part I? Read it here.
Did you choose Hollywood as the characters’ destination for reasons other than May’s ambitions for her life? What do you think a place like Hollywood represent to people in Depression Era, small East Texas towns like the one in which EDGE OF DARK WATER is set? Did you have something in mind for what Hollywood represented for May Lynn, specifically?
Hollywood, especially then, the thirties, was one of those far away places that seemed to offer something special. It was a place someone could go to and become something new and shiny and famous. Or at least that was the thought. It was like Oz. A magical place.
It was a dream destination; it was very early on part of our American myth. I think for May Lynn it was that and more. It was a possible escape from poverty and the possibility of maybe working in a café and then becoming a wife and mother. Not bad ambitious, necessarily. But they weren’t good ambitions for her; she felt she was something special, and that there was a magic cloak out there in Hollywood somewhere waiting to be tossed over her shoulders.
Speaking of Hollywood, a few of your stories have been adapted for television and film, including the novella Bubba Ho-Tep, which was adapted into the cult classic film of the same name starring Bruce Campbell. Can you tell us a little about how it feels to see your writing transformed for the screen? Continue reading “An Interview with Joe R. Lansdale: Part II”