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Visiting Inspector of the Dead: Mayfair and Belgravia

Dec 22, 2014 in Guest Posts, Mulholland Authors

David Morrell’s Inspector of the Dead is set on the harrowing streets of 1855 London. A gripping Victorian mystery/thriller, its vivid historical details come from years of research. Here are photo essays that David prepared about the novel’s fascinating locations.

Much of Inspector of the Dead takes place in London’s wealthy Mayfair district. Ironically, in the 1600s, it was a disreputable field where drunken May Day (or May Fair) celebrations were held. By the 1700s, as London expanded westward, Mayfair became a fashionable area, its impressive residences acquiring a uniform look because of the Portland stone that was used to construct them.

Mayfair1

This is Half Moon Street, off a major street known as Piccadilly. In the novel, several shocking murders occur in one of these magnificent buildings.

Continue reading ›

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Start Reading The Convert’s Song by Sebastian Rotella

Dec 09, 2014 in Excerpts

The Convert's Song by Sebastian RotellaWe were first introduced to Valentine Pescatore as a rookie Border Patrol agent in Sebastian Rotella’s Triple Crossing, which the New York Times named its favorite debut crime novel of 2011. His hazardous stint in U.S. law enforcement behind him, Pescatore has started over as a private investigator in Buenos Aires, where, like anywhere, justice is a malleable concept, and one learns there are several sides to a story. Read the opening of the first chapter of The Convert’s Song below.

Chapter One: Cafetín de Buenos Aires

The whole mess started ten years later on a sunny fall day when Valentine Pescatore was feeling at home in Buenos Aires.

He got up and put on a warm-up suit. He took a quick cab ride on Libertador Avenue to the sports club in Palermo Park. At eight a.m., he had the red rubber track to himself. His breath steamed in the morning chill; May was November in Argentina. He was not as fast or strong as he had been while serving as a U.S. Border Patrol agent. Yet he was healthier than during those crazy days at the Line. He had lost the weight he’d acquired eating home-cooked Cuban meals while living in San Diego with Isabel Puente. Arroz con pollo, ropa vieja, fried plantains. Washed down with drama and heartbreak.

Leaving the club, he caught a whiff of horse smell on the river wind. A nearby compound of the Argentine federal police housed the stables of the mounted division. Facundo had told him the compound was also the headquarters of the police antiterrorism unit.

Pescatore reclined in the cab, invigorated by the run. The driver was a grandfatherly gent with well-tended white hair encircling his bald spot. His shoulders in the blue sweater-vest moved to the tango classic on the radio, “Cafetín de Buenos Aires” (“Little Café of Buenos Aires”). The cab stopped in front of Pescatore’s building on a side street as the song ended in a flourish of bandoneon and violins. It was an homage to a neighborhood café—the best thing in the singer’s life except his mother.

“That was great,” Pescatore said. “What was that last line? ‘In the café I learned philosophy, dice and . . . ’?”

The cabbie studied him over his spectacles. He recited crisply: “ ‘The cruel poetry of thinking of myself no more.’ ” Continue reading ›

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Mulholland Books at Bouchercon 2014

Nov 11, 2014 in Industry News, Mulholland Authors, Mulholland News

Bouchercon 2014 Bouchercon has always been one of the highlights of my year, but this year, I’m especially excited because 1.) it’s November 2.) Bouchercon will be beachside 3.) …in southern California, where it’s currently sunny and 70 degrees. SOLD!

I’m also excited about the wonderful programming lined up for this year. Mulholland’s authors are on panels that touch upon every corner of the mystery world: comics, noir, cyberspace, film and TV, political thrillers…you name it, one of our favorite authors is talking about it. You can find a handy list of our authors’ events below.

But first, a little advice: on Saturday morning, between 7:30am and 12:30pm, head to the Bouchercon hospitality suite in the Seaview Rotunda, because coffee and pastries are on us. If you time it just right, you’ll walk away with a free galley of a forthcoming Mulholland book!

THURSDAY, NOVEMBER 13

11:30-12:30 Crime Goes Visual: Graphic and Comic Novels with Duane Swierczynski, author of the Charlie Hardie series and Canary (Regency B)

4-5 Noir Comes in Many Flavors with Chris Holm, author of The Killing Kind (Regency C)

5:30-6:30 Noir at the Bar with Duane Swierczynski and Chris Holm (Regency C)

FRIDAY, NOVEMBER 14

10-11 Masters of Suspense in Conversation with David Morrell, author of Murder as a Fine Art and Inspector of the Dead (Promenade 104B)

3-4 Keep Them in Their Places or Let Them Steal the Scenes: The Importance of Sidekicks with Marcia Clark, author of the Rachel Knight series (Seaview)

3-4 Murder in Cyberspace with Matthew Quirk, author of The 500, The Directive, and an forthcoming title for Mulholland Books (Regency B)

SATURDAY, NOVEMBER 15

Mulholland Books Bouchercon 2014

click to enlarge

Come by the hospitality suite to join Mulholland’s authors for coffee and pastries! We’ll be giving away free advance copies of new books by Sebastian Rotella, David Morrell, Richard Lange, Malcolm Mackay, C.J. Sansom, Duane Swierczynski, and Thomas O’Malley and Douglas Purdy. Follow us on Twitter or Instagram @mulhollandbooks to find out when specific books will be given away…or take a chance and come by the Seaview Rotunda to see what’s on offer! You won’t walk away empty-handed…or empty-bellied.

8:00-8:30 Duane Swierczynski will sign and give away galleys of his forthcoming novel, Canary, in the Seaview Rotunda hospitality suite. We’ll also have some extremely limited edition Canary pins to hand out.

8:30-8:50 Author Focus on Ralph Pezzullo, co-writer with Don Mann of the Hunt series of SEAL Team Six novels (Harbor C)

8:30-10:30 Men of Mystery with David Morrell and Matthew Quirk (Promenade 104BC)

11:00-11:30 Sebastian Rotella will sign and give away galleys of his forthcoming novel, The Convert’s Song, in the Seaview Rotunda hospitality suite.

11:30-12:00 David Morrell will sign and give away galleys of his forthcoming De Quincey novel, Inspector of the Dead, in the Seaview Rotunda hospitality suite.

1:30-2:30 Ordinary Guys Driven to Extraordinary Lengths with Richard Lange, author of Angel Baby and Sweet Nothing (Regency C). We’ll be giving away free advance copies of Sweet Nothing at Lange’s post-panel signing!

4:30-5:30 A Conversation with Michael Connelly and Sebastian Rotella (Promenade 104BC). Rotella is the author of Triple Crossing and the forthcoming novel, The Convert’s Song.

4:30-5:30 Make Ours Noir: Why We Love the Genre with Duane Swierczynski (Seaview)

4:30-5:30 Screen to Prose with Derek Haas, author of The Right Hand (Regency D)

SUNDAY, NOVEMBER 16

8:30-9:30 Cross-Cultural Crimes with Sebastian Rotella (Seaview)

8:30-9:30 Close Enough for Government Work with Derek Haas (Regency BC)

10-11 Editors & Agents with Mulholland marketing director Pamela Brown (Shoreline)

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Mulholland Books at New York Comic Con: Join Us for Discounts and Giveaways!

Oct 10, 2014 in Books, Booksellers, Mulholland News

I’m thrilled to be representing Mulholland Books at this year’s New York Comic Con. Find us at the Hachette Book Group booth (#2218). We’re selling a handful of our favorite new books, and all purchases will get you a free Mulholland Books tote bag:

Mulholland Books tote bag

Free with the purchase of any Mulholland book

Is that all? NO, that is emphatically not all! If you buy a copy of The Cuckoo’s Calling or The Silkworm, written by Robert Galbraith (a pseudonym for J.K. Rowling), you’ll get a free Strike! t-shirt:

Silkworm t-shirts

Free with the purchase of any Galbraith book

If you’re looking for a terrifying horror novel to read for Halloween, Booth 2218’s got you covered. When you buy Brood, the new book by Chase Novak, we’ll throw in a paperback of Novak’s Breed. If you haven’t read the first book in Novak’s series, here’s your chance to get both books with a single purchase. If you’ve already read Breed, this is your chance to spread the scares around by giving your free copy to a friend.

Breed and Brood by Chase Novak

Buy one get one free!

And finally, here’s one killer promotion that requires no purchase for entry. If you come to Booth 2218 and say “BIG IN JAPAN” to one of the on-site booksellers, you’ll receive free copies of two Japanese thrillers in translation: Genocide of One by Kazuaki Takano and Confessions by Kanae Minato. Both novels are international bestsellers and deserve a wider, rapturous readership here in the U.S.

Genocide of One by Kazuaki Takano and Confessions by Kanae Minato

Say “Big in Japan” at Booth 2218 and get these books for free!

All items are available while supplies last…so don’t drag your feet! Drop by the Hachette booth (#2218), and let’s talk books.

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Start Reading one of October’s Scariest Books: Brood by Chase Novak

Oct 07, 2014 in Books, Excerpts, Mulholland Authors

Brood by Chase NovakPoor Adam and Alice Twisden. Those twins have been through a lot—the death of their parents, the decimation of their childhood home. Years have passed since the events of Breed, and the twins’ aunt, Cynthia, wants to make things right, starting with the cleanup of the Twisdens’ Manhattan townhouse. Only, as you’ll read in Brood’s opening pages below, cleaning up is a tall order.

PROLOGUE

They were not here to clean up a crime scene. That grisly work had been accomplished two years ago by RestorePro, when the town house on Sixty-Ninth Street was closer to hell’s ninth circle than it was to its former incarnation—a stylish, impeccable, historically correct Upper East Side town house, one of the few left in New York City that had remained in the same family since its construction. Its last owner had been Alex Twisden, who had lived there his entire life, first as a child, then as a playboy, then as a corporate lawyer obsessed with his work, then as a somewhat reclusive bachelor, then as the newly wed husband of a beautiful younger woman named Leslie Kramer, then as the father of twins, and, finally, stemming from the fertility treatments he and Leslie endured in order to procreate, as a kind of beast for which neither science nor folklore has a name.

RestorePro’s workers, decked out in muck boots, respirators, and HAZMAT suits, had swooped in. Of course, the worst
thing about the cleanup was the blood, the hair, the fur, the bones, and the teeth, the parts of bodies for which neither Alex nor Leslie had a taste—they both eschewed ears, and found feet as a rule inedible. But there was a lot more to do than simply remove the evidence showing that for a time the elegant old house had been an abattoir. There was disinfecting to be done. There were odors to be dispelled and others that could only be covered up. There were scratches in the plaster, claw marks deeply grooved into the wooden floors. There were piles of smashed furniture—it looked as if crazed vandals had gotten into the storeroom of Sotheby’s before an antiques auction. Once-precious Blackthorn wallpaper, brought into the house by William Morris himself, hung in long drooping curls. Sconces had been torn from the walls; sofas had become public housing for all manner of rodents. RestorePro’s motto was No One Will Know, but though the workers did their job diligently, and did not stint on labor or time, the house they left behind when they finally got to the end of their contract still bore the ineffable marks of a place where something hideous had happened. You did not have to believe in the spirit world to sense that an aura of misery and doom hung over the place, even after it had been scrubbed clean. Continue reading ›

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What Do You Do With A Pile Of Jim Thompson Books?

Oct 03, 2014 in Guest Posts, Mulholland Authors

We sent Rob Hart, the associate publisher of MysteriousPress.com, all 25 of the Jim Thompson paperbacks that we reissued in August. He wrote in to report on what he did with them.

Working in publishing comes with a few perks.

Say, for example, you’re grabbing breakfast with a pal and you profess your love for Jim Thompson. Turns out, that pal masterminded the re-release of a good portion of Thompson’s oeuvre in paperback and eBook.

Then one day you come home from work to find this pile of beauties sitting on your doorstep: Pile of Jim Thompson books

That is a lot of Jim Thompson. And it begs the question: What exactly does one do with such a giant pile of books? Not wanting to miss an opportunity, I came up with a couple of ideas… Continue reading ›

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Creeping Up Your Spine

Sep 30, 2014 in Guest Posts

This week’s  guest blogger is James Grady, author of Six Days of the Condor, among other classic thrillers. He shares a few thoughts on paranoia—just reading his stylized commentary has us peering over our shoulder!

You feel it. Paranoia.

They’ve got your number. It’s personal. You’re reading this. Looked at that. Took a chance, did something, or hell: they just think you did. You stood up for yourself. Stood out. You’re in their way: your boss who knows you know what really happened, your lover who wants you gone. Footsteps behind you. You’re in the shower.

You’re just a number. It’s not personal. It’s “just.” Like in justice. Or not. You’re just in the wrong place at the wrong time. A crazed Mommy in the grocery store grabs a cleaver. You’re part of the Matrix. Visiting a friend in the World Trade Towers. Ebola. Dr. Strangelove smiles. It’s not a movie witch that’s melting.

Life is out to kill you. All you want is to be left alone.

That’s the beating heart of paranoia: you’re all alone.

That’s true. You were born, nobody really knows you, you die and that is you, just you.

That’s false. It’s not just youWe all live, we all die.

Paranoia determines how we live and die.

McLuhan and the mushroom cloud moved us all into a global village, but our global compound fosters warring tribes. Yesterday it felt easier to know who “us” was. And to trust us: yeah, Big Brother, but of thee I sing.

Trust is the shimmer between prudence and paranoia. You wear your seatbelt yet strap yourself in a crushable metal box.

So how can you find the line between just being smart and being just scared?

“Facts” are not enough. “Facts” are who furnishes them. J. Edgar HooverOsama bin Laden. Fox News vs. MSNBC. The candidate who wants power. The housewife in the TV commercial. The guy who says: “Everybody knows….”

What helps you see the line between prudence and paranoia is fiction.

Fiction reveals possibilities. Fiction is our safe mirror. Fiction—in lines of prose or poetry, in the lyrics of a song, through the actors on stage or screen—is not “real.” Or so we can believe. And that belief lets us see the universal reality of a character “just like me…that happened to me.” Or “I wish that were me…if that were me….” Fiction glides us into what could be, gives us a world where we learn archetypes of who & what to trust without penalty, without pain. The what could be we experience with fiction helps us see the shimmer between factual forces and fantasy fears in our world of flesh and blood.

The “truth” may set you free, but the “lies” of fiction may be your best chance to escape paranoia, to perceive who and what to trust so you can best use our life’s terrifying freedom.

Author James Grady won France’s Grand Prix du Roman Noir, Italy’s Raymond Chandler medal, and numerous American literary awards.  A former investigative reporter, he lives inside D.C.’s Beltway and in February, will publish Last Days Of The Condor, a sequel to his Robert Redford adapted novel.

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Horror Reading, Then and Now

Sep 18, 2014 in Fiction, Guest Posts

Andrew Pyper, the ITW Award–winning author of six bestselling novels, has read a lot of horror stories. Here he writes about one novel that truly got under his skin.

The other night, drinking in my backyard with some other writers, some of whom write thrillers and horror as I do, the question came up as to when was the last time we read something that really and truly terrified us. Not a piece of writing we admired for the way it constructed its scares, not something we found unsettling or offputting or creepy, but the real gut-level deal. Bona fide horror in book form.

It took me a while to come up with my answer. Partly because there are so many horror novels I’ve read over the years that I have admired and found unsettling or creepy, but not to the point of slapping the covers closed with a scream. Partly because I think I’ve always read thrillers for the ideas or mythologies they can uniquely explore, as much as the thrills themselves.

While we all cited different titles in the end, what my writer friends and I had in common was that the last books that truly scared the bejesus out of us were ones we read as young people. Why? We worked up some theories. They all seemed to boil down to immersion. Back then, we could dive all the way into the worlds we read. There was no EXIT sign at the end of the dark hallway, no call of “Time out!” that had the power to return our disbelief from wherever it had been suspended. These were books that possessed us. Ones we believed in.

Salem's Lot by Stephen KingFor me, that book was Stephen King’s Salem’s Lot. Which is kind of funny, as I’m not much of a vampire guy when it comes to favorite horror sub-genres. I like pondering whether I’d drink the blood of innocents in exchange for immortality as much as the next goth, but to me vampire stories too often present their monsters as pompous dandies, suave seducers, poor man’s Hamlets. Vampires invite the campy in ways many writers have found irresistible.

But when the 12-year-old me read King’s story of a small town besieged by the ravenous undead, I was all in. It was his particular version of vampires that did it: savage and single-minded, relentless and recognizable. But it was also, I think, the way the town of the novel reminded me of my own small town where I grew up. The monsters of the fiction lined up with my own neighbors, the tree-shaded streets were my streets, my imagination seeing the darkest possibilities in the everyday just as the world of the book did. It wasn’t just a good vampire story. It was personal.

Reading ‘Salem’s Lot was the last time I could check off each of the points in the unholy trinity of horror reading: I was young, the fictional setting and circumstances directly matched up with my own, and the monsters were presented not as fantastical, but possible.

The thing is, while I treasure the experience of reading that book, I’m not sure I’d like to return to it. What I mean is that I’d be happy to read it again today, but not transported to my reading of it then. It’s simply too dangerous. Who knows how close I came to being lost in it for good? How real could I have made it? What would have happened if a vampire had come scratching at my window and instead of pulling the covers over my head I got up and let it in?

Andrew Pyper is the author of six bestselling novels, most recently The Demonologist, which won the International Thriller Writers Award for Best Hardcover Novel.  His new book, The Damned, is to be published in February 2015.

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Start Reading Broken Monsters by Lauren Beukes

Sep 16, 2014 in Excerpts

Broken Monsters by Lauren BeukesEven before Broken Monsters was published in the US, it garnered rhapsodic praise both here and abroad. “Captivating…A thoroughly modern, supernatural thriller,” raved the Los Angeles Times. Entertainment Weekly went on to say, “Remarkable is Lauren Beukes’s ability to blend genres, seamlessly incorporating horror, fantasy and traditional crime in ways that highlight the best parts of each. It feels new—unprecedented, in a way.” Now you have a chance to add your voice to the chorus! Broken Monsters is in bookstores today, and you can read the arresting opening scene below.

SUNDAY, NOVEMBER 9: BAMBI

The body. The-body-the-body-the-body, she thinks. Words lose their meaning when you repeat them. So do bodies, even in all their variations. Dead is dead. It’s only the hows and whys that vary. Tick them off: Exposure. Gunshot. Stabbing. Bludgeoning with a blunt instrument, sharp instrument, no instrument at all when bare knuckles will do. Wham, bam, thank you, ma’am. It’s Murder Bingo! But even violence has its creative limits.

Gabriella wishes someone had told that to the sick fuck who did this. Because this one is Yoo-neeq. Which happens to be the name of a sex worker she let off with a warning last weekend. It’s most of what the DPD does these days. Hands out empty warnings in The. Most. Violent. City. In. America. Duh-duh-duh. She can just hear her daughter’s voice—the dramatic horror-movie chords Layla would use to punctuate the words. All the appellations Detroit carries. Dragging its hefty symbolism behind it like tin cans behind a car marked “Just Married.” Does anyone even do that anymore, she wonders, tin cans and shaving cream? Did anyone ever? Or was it something they made up, like diamonds are forever, and Santa Claus in Coca-Cola red, and mothers and daughters bonding over fat-free frozen yogurts? She’s found that the best conversations she has with Layla are the ones in her head.

“Detective?” the uniform says. Because she’s just standing there staring down at the kid in the deep shadow of the tunnel, her hands jammed in the pockets of her jacket. She left her damn gloves in the car and her fingers are numb from the chill wind sneaking in off the river. Winter baring its teeth even though it’s only November. “Are you—”

“Yeah, okay,” she cuts him off, reading the name on his badge. “I’m thinking about the adhesive, Officer Jones.” Because mere superglue wouldn’t do it. Holding the pieces together while the body was moved. This isn’t where the kid died. There’s not enough blood on the scene. And there’s no sign of his missing half.

Black. No surprise in this city. Ten years old, she’d guess. Maybe older if you factored in malnourishment and development issues. Say somewhere between ten and sixteen. Naked. As much of him as there is to be naked. It’s entirely possible the rest of him is wearing pants, with his wallet in the back pocket and a cell phone that won’t have any minutes, but which will make calling his momma a hell of a lot easier.

Wherever the rest of him is. Continue reading ›

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“A Prisoner of Time” by Lucian E. Dervan

Sep 10, 2014 in Fiction, Guest Posts, Short Stories, Uncategorized

Hofstra Law School's Mystery Short Story Contest“A Prisoner of Time” by Lucian E. Dervan is the winning story of Hofstra Law School’s Mystery Short Story Contest, which invited participants to write a short work of fiction featuring a lawyer as a main character. You can read more about the contest from Alafair Burke. Thank you to all the writers who did the legal thriller genre proud with their entries. And congratulations to Lucian Dervan!

The years passed faithfully, each one much like the last, and yet each distinctive and filled with its own memories.  George Duncan, known simply as Duncan since his first year of school, sat in his large recliner.  Though the chair was old and tattered, the fabric was woven with far too many memories to discard.  Duncan, currently in the eighth decade of his life, had never felt the cold beneath his skin as he did now.  But, somehow, sitting in his chair, gazing through the window, and thinking about the past seemed to warm him as the sun set outside.

Duncan’s mind often wandered over his decades as a feared criminal defense attorney.  On some days he would laugh out loud as images of a floundering witness succumbing to his blazing cross-examination replayed in his mind.  Other days were filled with deep reflection on those few times during his career when mistakes had led to perpetual recollection and regret.  Despite the innumerable and varying memories from which to select, one image drifted uninvited into his mind more than any other during the many days he spent in that timeworn chair, the face of his client Billy Brandon.  As that face flickered in his consciousness once again, Duncan’s hands clenched in anger and anxiety.

“Duncan.  Duncan, dear,” his wife, Martha, called from the kitchen.  “It’s time for dinner.”

“Just a moment,” Duncan responded as he unbound his hands and strained to push himself up from his seat.

Once standing, he paused and gazed out the window for a final second.  Then, turning to face a large bookcase at his side, Duncan reached out and withdrew a massive leather bound edition of a Dostoyevsky classic.  After using both hands to lower the literary masterpiece onto a small library table, Duncan lifted the front cover to reveal the book was actually a safe.  Reaching into the hollow middle, he pushed aside a piece of paper and withdrew a heavy black revolver.  Holding the gun in his hand and spinning the chamber, he took note of the four bullets and two empty shells still lying in the cylinder.

“After these many years,” Duncan said aloud, yet in a whisper, “my representation will finally come to an end.  Until tomorrow, Mr. Billy Brandon.” Continue reading ›

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