Did you know today is Joe R. Lansdale Appreciation Day? To tie in with Horror Novel Reviews‘ day-long celebration, we’ll be reposting our greatest-of posts about Joe’s work and a few from the legend himself.
When we passed along Joe R. Lansdale’s EDGE OF DARK WATER to Dan Simmons, we had high hopes he would like the novel as much as we did. Dan loved the novel so much he provided us with not just a nice quote, but an inspired, insightful essay which is included in the paperback edition of Joe’s novel, and which we’re delighted to share with you below.
Go pick yourself up a copy of EDGE OF DARK WATER if you haven’t already! And be on the lookout for Joe’s next novel THE THICKET, in bookstores everywhere this September.
Since Mark Twain’s The Adventures of Huckleberry Finn was first published in America in 1885, there have been hundreds — if not thousands – of favorable comparisons to Twain’s masterpiece by publishers, blurbers, and/or reviewers of “contemporary” novels. Almost all of these comparisons have been inappropriate or just plain silly since – a) Huckleberry Finn was an unmatched novel of male adolescence, moral awakening, and an entire dark era of American history told in perfect regional and temporal vernacular b) as Ernest Hemingway said, “All modern American literature comes from one book by Mark Twain called Huckleberry Finn . . . It’s the best book we’ve had” and c) Mark Twain was a genius.
The river voyages and brilliant narratives in both Joe R. Lansdale’s Edge of Dark Water and Mark Twain’s The Adventures of Huckleberry Finn are cries from the heart of the heart of America’s darkness. Both books are the result of real genius at work.Joe R. Lansdale’s Edge of Dark Water is worthy of being compared to Twain’s The Adventures of Huckleberry Finn. Nor are the rafts or the marvelous and terrifying river voyages in both books the primary reasons for Lansdale — and what may be his masterpiece – earning the right to this comparison to Twain’s masterpiece. “Sue Ellen’s” voice throughout Lansdale’s novel is almost certainly the strongest, truest, and most pitch-perfect regional-temporal vernacular narration since Huck Finn’s. The young protagonist’s moral decisions in Edge of Dark Water are among the most complex (yet clearest) since Huck decided to “steal” Jim and go to Hell forever for doing so. Edge of Dark Water evokes a time and place – East Texas, Depression era – as powerfully as Twain’s The Adventures of Huckleberry Finn preserved and illuminated the Mississippi River region in pre-Civil-War America. Continue reading ›