How Much Ozarks Is In Me?

Jul 05, 2012 in Books, Guest Posts, Mulholland Authors

Two hours before beginning this essay we had yet another encounter with residents of the meth house on the corner, our nearest neighbor to the west. The lead male over there is a cutter, dozens of little slashes have made risen scars on his arms. He has a ponytail, is known well by all cops in town, and never wears a shirt. He accused us of “eyeballing” him as we passed his house, something we have no choice but to do many times a day. The derelict shack has in the past been home to sex criminals, rapists, and pedophiles, other meth users, and some criminals who would have to be called general practitioners—whatever crime looks easiest tonight is what they will be arrested for tomorrow. Meth-heads are the worst to deal with. They are unpredictable and frequently violent after they’ve been sleepless for a few days. We are dedicated to minding our own business about most things, legal or not so much, but cooking meth releases toxins and is a peril to the whole neighborhood. A decade ago there were several houses much like this operating nearby, but they’ve been weeded down to this, the last one, and these tweakers should start packing.

My mother was born less than a hundred yards from my house. She was of the first generation raised in town and played in my yard as a child. I can see the roof of her father’s place from the porch when the leaves are down. Both sides of my family have been in the Ozarks a long time. It was hard from the beginning to eke out a living from thin dirt and wild game, and it stayed hard. The Woodrell side (surnames Mills, Terry, Dunahew, and Profitt) has been here a bit longer than the Daily side (Davidson, DeGeer, Riggs, Shannon). Woodrells arrived on this continent around 1690 and settled in these parts during the 1830s, after Kentucky and Tennessee became too gussied up and easily governed for their taste. The early white settlers came here to avoid the myriad restraints that accompany civilization: sheriffs, taxes, social conformity. They sought isolation. There has never been much belief in the essential fairness of a social order that answers most readily to gold, always assumed the installed powers were corrupt and corruptible, hence to be shunned and avoided, except when you couldn’t and must pay them.

A Davidson ancestor did kill a man in the center of town, before many witnesses, and land, livestock, everything that could be sold had to be sold to buy him out of a conviction, which was done. He’d killed his long-time pal, a man who beat him always in the wrestling contests featured at most picnics, then they got drunk on Washington Avenue and decided to wrestle again in the street. Davidson won this time, as the other man could not stand unaided, and is alleged to have pulled his pistol in victory and said as he shot the pal at his feet, “Now I finally whupped you, I might as well kill your ass, too.” Once the money was spent, this became an act of self-defense and he never did a week in jail. That was over a century ago, but we still remember, and the family of the dead man does, too—as late as the 1970s there was friction when my older brother dated a girl with their name.

ClassicI was raised on such stories in exile, and the old stories get rubbed together plenty in the retelling, dates and facts become blended. Did such and such happen in 1885, 1965, or not at all? Is that a DeGeer story or a Dunahew? The violent stories are the first I remember. They are many and fed me as a boy, but now I am more taken with how Grandma Mills lost a slice of nose to disease, how Dad got that patch of skin torn from his leg as a boy when barbed wire snagged him after he’d raided a garden for melons and the gardener spotted him, how Granddad Daily rode a mule to church in the 1920s because he wanted to impress girls. I like trains in the night, dogs baying after coons, the long hours when the wind sings as it channels between hills and hollers and flies along creek beds. I’ve known a thousand plain kindnesses here. It is generally a pleasure to live among so many individuals who refuse to understand even the simplest of social rules if they find them odious. This trait can, of course, raise trouble. I have had a few close relatives do time in the penitentiary, some recently, not for being thieves ever, but always for refusing to take each and every piddling law seriously—trouble is bound to happen once in a while when you love life so wildly.

Continue reading ›

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The Lineup: Weekly Links

Jun 27, 2012 in Weekly links

Contrasted ConfinementMacavity Award nominations for 2012 are out, with Anthony Horowitz’s THE HOUSE OF SILK and Duane Swierczynski’s HELL AND GONE up for Best Novel. The Hardie series up for THREE awards at this year’s Bouchercon!

Recent online reviews of Mulholland titles include All Things Horror’s review of Joe R. Lansdale’s EDGE OF DARK WATER, Bookbitch’s review of Nick Santora’s SLIP & FALL, and A Bookworm’s World’s review of Mark Billingham’s THE DEMANDS.

HUNT THE WOLF received a nice trade review from Publishers Weekly that champions the book’s “steady stream of action.” Out now in bookstores everywhere!

Ever had trouble figuring out how Pulp Fiction plays out chronologically? Now you know.

In celebration of the release of The Kings of Cool and the upcoming film release of Savages, the New York Times ran a great profile of Don Winslow highlighting his illustrious writing career and the colorful odd jobs that have been the inspiration for his work.

Triggers Down continues.

The first reviews for The Amazing Spider-Man are out.We personally wish it featured Miles Morales instead of Peter Parker–but there’s always the next reboot!

Pretty amazing how committed the below shows acclaimed genre master Neal Stephenson is to doing for swords what the first-person shooter genre did for firearms. No, seriously. We think.

So did y’all catch the debut trailer for TAKEN 2? What did you think?


Did we missing something sweet? Share it in the comments! We’re always open to suggestions for next week’s post! Get in touch at mulhollandbooks@hbgusa.com or DM us on Twitter.

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Hunt the Wolf Q&A with Don Mann and Ralph Pezzullo

Jun 26, 2012 in Books, Mulholland Authors

Today, HUNT THE WOLF by Don Mann with Ralph Pezzullo officially hits the stands! AJ Garcia of Shakefire.com says, “There is never a boring moment. You will literally burn your way through this book in a matter of hours. It’s that good. A+” To commemorate HUNT THE WOLF‘s release, here’s a Q&A with authors Don Mann and Ralph Pezzullo:

Don and Ralph, what has been the difference for you between writing nonfiction and fiction?

Don: We had a tight deadline for Inside SEAL Team Six and had to write it quickly. So Ralph and I came up with a rough outline, then I started sending him tapes describing my experiences and other material. And he worked to blend all of it into a coherent and well-written narrative.

Ralph: In the end Don sent me over 200 tapes. Some were snippets, others were over an hour long. I spent a lot of time transcribing and organizing everything, before I started writing. Then I started drafting chapters and sending them to Don. I’d incorporate Don’s comment and notes, then send the chapters to our editor John Parsley. Working that way we finished the manuscript in two and a half months.

Don: Then came the government review process…..

Ralph: Which was long, frustrating and brutal. But we made it through.

Don: Thanks to our very patient editor.

Ralph: Yes!

How was the process of writing HUNT THE WOLF different?

Don: For one thing, we had more time. Actually HUNT THE WOLF was written before Inside SEAL Team Six.

Ralph: Don contacted me about writing a series of thrillers. I said: Sure! He’s been involved in so many missions and adventures over his career that we have tons of material to work with. I came up with an outline and we worked from that.

How closely is the story in HUNT THE WOLF based on real events?

Don: Very close. I would say that everything described in the book has happened. Maybe not in the same order or under the same circumstances, but I’ve been involved in missions and situations very similar. Continue reading ›

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The Story Behind Hunt the Wolf

Jun 25, 2012 in Guest Posts, Mulholland Authors, Writing

We kick off our celebration the release of HUNT THE WOLF by Don Mann with Ralph Pezzullo, a Seal Team Six novel now in bookstores across the country, with an article by Pezzullo on the fascinating origin story of the novel. Check back again later as our week-long coverage continues!

In early 2010, I received a call from a fellow mystery-thriller writer named Tom Sawyer. (No joke, it’s his real name.) He said that he wanted to recommend me to a former Navy SEAL who was interested in collaborating with a writer on a series of high-octane thrillers. The guy, he said, claimed to have lots of stories. I said, “Sure, give him my number and ask him to contact me.”

Ten minutes later I got a call from Don Mann. He told me his remarkable story – how he’d transformed himself from a wild hell-raising teenager into a hard-ass Navy SEAL, spent eight years with SEAL Team Six, was deployed on countless covert ops all over the globe, served as a platoon member, assault team member, boat crew leader and advanced training officer. My jawed dropped as I listened. The crazy part was that as he described his tales of combat and other mayhem – firefights, raid, knife fights, decapitations – he did so in a calm, dare-I-say, gentle voice.

The one caveat is that since most of the ops he’d been on as a SEAL were top secret, the only way we could write about them without raising the ire of government censors was as fiction.

I was fascinated. Beyond fascinated. More like totally pumped. It seemed to me that he had enough material for a whole series of exciting SEAL thrillers. Not chest-beating, unbelievable stuff, but interesting stories with fleshed out characters from the perspective of someone who has actually lived them.

I asked Don to send me more about himself – brief descriptions of missions he’d been on, stories from his life, some of the more memorable SEALs he’d served with, his favorite color (only kidding!).

Over the next week and a half my e-mail server was bombarded with material. It’s as though the guy literally turned himself inside out. He told me about his family, his wives, the songs he listened to when he worked out, the mountains he’d climbed, the ultra-marathons he’d competed in, etc. It was a literal (or literary) goldmine of stories, characters and impressions.

Now it was up to me to mold it into something. Inspired by what he’d told me, I wrote a brief treatment about a team of SEALs who enter Pakistan under the cover of mountain climbers on a mission to takeout an al-Qaeda leader. Don said he’d been deployed on several similar missions to Pakistan. We were off to the races!

To say that working with Don is a pleasure is an understatement. He’s amazing! In fact, the nicest, most considerate, appreciative and thoughtful guy you’d ever want to meet. Also, he’s a genuine hero. I’m proud to call him my friend.

Ralph Pezzullo is a New York Times bestselling author and award-winning playwright, screenwriter and journalist. He is also the author of Jawbreaker (with CIA operative Gary Berntsen).

Don Mann (CWO3, USN) is the author of Inside SEAL Team Six and has for the last thirty years been associated with the Navy SEALS as a platoon member, assault team member, boat crew leader, or advanced training officer; and more recently program director preparing civilians to go to BUD/s (SEAL Training). Up until 1998 he was on active duty with SEAL Team 6. Since his retirement, he has deployed to the Middle East on numerous occasions in support of the war on terror. Many of the active duty members of SEAL Team 6 are the same guys he taught how to shoot and conduct ship and aircraft takedowns, and trained in urban, arctic, desert, river, and jungle warfare, as well as Close Quarters Battle and Military Operations in Urban Terrain. He has suffered two broken backs, two pulmonary embolisms, and multiple other broken bones, in training or service. He has twice survived being captured during operations.

HUNT THE WOLF is now available in bookstores everywhere.

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A Conversation with Mark Billingham and Lee Child: Part I

Jun 19, 2012 in Books, Guest Posts, Mulholland Authors, Writing

This week we salute BLOODLINE by Mark Billingham as it hits bookstores in paperback. The New York Times Book Review raved that BLOODLINE offers a “psychologically twisted and strikingly original plot” with a “relentlessly swift pace and high emotional pitch.” Here, we present Part I of a conversation with Lee Child, the #1 bestselling author of the Jack Reacher series. And don’t miss the newest Tom Thorne novel THE DEMANDS, now available in bookstore everywhere.

Mark Billingham: I was thinking a lot about series and the demands that writing a series makes on you and the benefits of it.  Obviously in the last week or so there has been heaps of internet chat in response to the rumor that Tom Cruise might be about to play Jack Reacher. Whatever your thoughts are about that, it’s an incredible testament to the power of the series and the ownership readers feel they have of the character.  Do you feel that Reacher is yours?  Do you feel like you share him?

Lee Child: That’s a great point and it’s something I’ve been very aware of as the years have passed because it’s completely a progression, obviously.  On Day 1, nobody in the world knows anything about Reacher apart from me because it’s the first book. It’s a work in progress, it’s not finished, and nobody has seen it. Then, the first book gets published and then the second and the third.  And gradually the ownership of the character does migrate outwards into the public realm.  I was very aware actually of the particular point which was after eight or nine books, maybe ten books.  Previously to that people were kind of deferential.  They thought Reacher was an independent entity, but they knew somehow he belonged to me. Then, after about the tenth book, he became totally publicly owned to the point where I now get abused just like any other fan with a different opinion.  I count for nothing anymore.  Reacher is completely independent and completely out there.  And you’re right, the casting choice in Hollywood is being made right now.  My attitude towards that was whoever is cast, whoever it was, 99% of the fans would be outraged because it would be a sheer coincidence if whoever it was matched their own personal image.  I think it’s just proof actually of how tightly owned a series character becomes by the readers, which is great really because that is the advantage of a series.  This is a tough trade.  Launching one book every year is a new mountain to climb every time and if you can get any help at all carried over from previous years you need it.  Of course, one of the great helps is, if it is a series, (to borrow the language of credit card companies) the new book is kind of “pre-approved.”  The readership thinks, “Well, I liked the last six, so I’ll probably like this.”  It’s a much lower hurdle to get over.  I think with people who write standalone books, the author’s name obviously continues and counts for something, but you’ve got a slightly higher mountain to climb.  Are they going to like it?  Is it the same as what you’ve done before? You’ve mixed it, haven’t you?  How have you felt about that?

Continue reading ›

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Verst 7156

Jun 18, 2012 in Popcorn Fiction, Short Stories

Soldiers and train - WW1To kick off the week in style, we have the below historical short story from the author of the acclaimed thriller Clawback, whichalso appears as this week’s offering from Popcorn Fiction. Enjoy!

He arrived late afternoon, trudging up from the railbed over cracked ice and snow, his Enfield banging against a metal canteen frozen solid. Khaki ammunition pouches were harnessed neatly through his epaulets. Right then, long before he started in about the ghost train, we knew he was trouble. Dead of winter and supposedly he’d been in Siberia as long as us, but he was still wearing puttees and a canvas cap. He came to attention when I stepped out of the wagon and I had to wave him down.

“Relax, I’m no ranker,” I said. I noticed that he was wearing his Colt in a polished holster tied down to his thigh, and I suddenly missed Birney all the more.

“Private First Class Woodell.” His jaw was clenched to keep his teeth from chattering. “My orders -”

“Never mind that. Did you bring any newspapers?”

But he was staring at our camp, and didn’t answer. I thought we’d done a good job: two rattletrap wooden boxcars with the bogeys pulled, bermed up a good four feet for insulation. Jackson had showed us how to chink them airtight with river clay. He’d also built a half-closed firepit outside, by fitting together unmortared rock – someone had to stand sentry, since the partisans were all around, and it was bitter cold. A pile of broken crates and beef tins was accumulating to one side, and because the ground was too frozen to dig latrine pits, we generally just crouched behind them.

Maybe Woodell was expecting campaign tents and a parade square.

Our corporal had emerged from the other boxcar and was greedily flipping through the few tattered papers Woodell dug from his pack. He was wrapped in a torn wool cloak, a muskrat hat low over his ears.

“December 1919?” He shoved back the folded broadsheets and glared at Woodell with red, sunken eyes. “That’s two months ago!”

“I’m sorry, sir. I brought them for, ah, not for reading but for, well, you know how the toilets are . . .” His voice trailed away.

“Toilets? Toilets? Think I saw one the last time I was in Khabarovsk.” He relented. “Look, private, you’re freezing. Bring your kit inside.”

With a woodstove at either end, the ventilation louvers generally iced over, and Sutter smoking all the time, the fug inside the boxcar was blindingly thick. Not to mention none of us had had a bath since we arrived, three months back. It was hard to tell in the dim light but I’m sure Woodell went green.

“I’m sorry to see you,” said Sutter, from a heap of blankets on the floorboards where he’d been dozing. Like me, he hadn’t tried to shave since the last time we went into Lenyarsk, and his face was black with grime and gun oil. “Replacing Birney must mean they’re planning to leave us out here indefinitely.” Continue reading ›

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The Lineup: Weekly Links

Jun 14, 2012 in Weekly links

Contrasted ConfinementGreg Rucka, author of ALPHA (“Hands down, the most exciting, adrenaline-pumping, butt-kicking novel I’ve read in years”–Christopher Reich) has an essay on the Huffington Post that rounds up ten of the most infamous theme park disasters. All pale in comparison to the nail-biting hostage situation you’ll find in ALPHA –but is it perverse that it makes us want to take a trip to Six Flags this weekend?

Publication week for Mark Billingham’s THE DEMANDS is here! Don’t miss the great conversation between Billingham and Michael Connelly, the below clip of Billingham discussing his newest, a rave from Seattle Times and mentions in the Detroit News, the Orlando Sentinel, The Baltimore Sun, and the Sun Sentinel. Thorne, the TV miniseries adapted from Billingham’s novels, debuted this Wednesday on Encore!

In other ‘net news, a great review of Nick Santora’s FIFTEEN DIGITS went up at Suite 101, and Film School Rejects has a very entertaining podcast with Nick on the writing of the book and the filming of the trailer with Jimmi Simpson and Gino Anthony Pesi.

The first review for Mischa Hiller’s SHAKE OFF is in from Publishers Weekly, which in a rave, starred review writes: “A beautifully written novel that chronicles the education of a spy…sensitive and realistic.” Congratulations, Mischa! Look for SHAKE OFF, the thriller Charles Cumming has called “a spy thriller of the highest class,” this August.

Did we missing something sweet? Share it in the comments! We’re always open to suggestions for next week’s post! Get in touch at mulhollandbooks@hbgusa.com or DM us on Twitter.

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A Conversation with Mark Billingham: Part II

Jun 13, 2012 in Guest Posts, Mulholland Authors

watching the detectivesMissed Part I? Read it here.

MB: Have you always had a strong visual sense of Bosch?

MC: Yeah, I have, but I don’t put it in the books.  I don’t have a lot of descriptions of him.  I like it when the reader can build their own character or attach it to someone they know, or a movie star or TV star or something like that.

MB: But you could pick him out of a line up?  You know what he looks like…

MC: Yeah.  I had this weird experience. This goes way back to the O.J. Simpson case.  The prosecution in the trial brought in an expert from another county.  He was the leading DNA prosecutor in California, from up near Oakland in Alameda County.  Because he was so good they brought him in to handle the DNA evidence in the trial.  It was on TV all the time here and I’m watching the trial and he starts questioning someone on the stand…I say to myself, “Oh my god!  That’s Harry Bosch.”  He was a doppelganger for the guy I had built in my head.

MB: Do you still see that guy?

MC: No, he’s retired.  That trial was ’96 or something, so I guess he’s aged just like Harry has aged. I know he has a current picture of himself on his website and he doesn’t look the way I picture Harry Bosch now, but back then it was like a doppelganger.

MB: What about when you’re writing Mickey?  Do you see Matthew McConaughey?

MC: No.  He’s one I’ve actually done more description of.  His mother is Mexican, so he’s got a dark complexion and dark hair.  And no Texas drawl.  But I think McConaughey did a really good job on that part. I haven’t written a Haller book since that movie, but he’ll probably be involved in some way in my next book.  So it will be interesting to see whether I’m picturing the guy I’ve pictured for the other four books, or if Matthew has invaded.

Thinking about that, THE DEMANDS is dedicated to David Morrissey, the guy who plays Thorne on television, so I guess that means you really like his portrayal? Continue reading ›

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A Conversation with Mark Billingham

Jun 12, 2012 in Guest Posts

I’m in rainy New York and I’m speaking with Mark Billingham in sunny London.  And that should be an indication that something is backwards or that something is awry here.  We’re going to talk about Mark’s new book THE DEMANDS  for a few minutes.  I think it’s interesting Mulholland Books gets one writer to interview another–probably because they think they will avoid the cliché questions like “where do you get your ideas?” and get into something more intellectually profound.

But it kind of backfires because as I writer I’m all about not giving stuff away and letting the reader discover the work, and I don’t say what’s going to happen or ask too much about it.  So this could be the first interview that is entirely rhetorical.  But I guess we have to do a little bit of on-the-point-questioning, so let’s go ahead with my thoughts and my questions on THE DEMANDS.

First of all, I’m familiar with your work and I know I’ve mentioned this to you before, but you hit with it right away in this book, and I mean this in a very good and respectful way and in a jealous way, that you take the minutiae of daily life and build drama from it.  Just in the first few pages of this book, you have a character and you’re in her thoughts and it’s about her day-to-day travel to work (we discover later she’s a cop), but you just bring out the humanity in it and then we move into a situation where she becomes a victim.  That’s what I’ve seen over and over in your work, this empathy with the victim, and you don’t often see that in other people’s work. I write about a detective as well, but I almost never write about the victim other than through the eyes of the detective–which means that the victim is usually dead.  But you are with your victims, with the people outside of the world of the cops (in this case, Thorne), and I’m just wondering where that comes from as a writer.  What draws you to really getting inside these characters?

Mark Billingham: I think more and more as I get older, I’m a lot less scared of serial killers and terrorists than I am of just being in the wrong place at the wrong time.  Of something happening as I am going about my day.  Of taking the wrong turn or going into the wrong postal code.  And for me there is drama in everyday life and I think the best way of getting to know your characters is to see them going about that daily life and see what happens to them when that goes off-kilter and or some event pushes them out of that routine.

HostageThe victim thing has always been important to me. I’d read a lot of books where you had a cop and you had a killer and the victim was just a plot device, just a catalyst for a story to happen.  You mentioned the sort of clichéd questions that mystery writers get asked and one of the ones we are constantly asked is “how do you create suspense?” Although there are all these tricks which we use (cliffhangers and timing and reveals and all that kind of stuff), for me it is just about creating characters that the reader cares about. Because then I think you’ve got suspense from page one. Because the reader knows the type of book their reading. They know there’s some bad stuff coming, and if they’re engaging with these characters right from the kickoff, then I think you’ve got genuine suspense.

The major character in my first book, in Sleepyhead, was the victim. I mean, Thorne had the most stage time, but certainly most of the feedback I got about that book and the reviews concentrated on the victim, because I was in her head for a great deal of the book.  I think that was because I’d seen all these books where you didn’t get to know the victim and I wanted to, but also because not long before I started that first book I’d been a victim myself.  I was held up in a hotel and taken hostage and stuff. So when I sat down to write the book, I thought, “I can write about being afraid, this is something I think I know about right now.”  Not “being on a rollercoaster” afraid or “watching a scary movie” afraid, but “am I going to see my wife and kids again?” afraid.  So the book came out of that really and it’s a furrow I’ve continued to plow. Continue reading ›

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Start Reading The Assassin Trilogy

Jun 11, 2012 in Excerpts, Fiction, Mulholland Authors

Tomorrow the e-book omnibus THE ASSASSIN TRILOGY, the Silver Bear novels by Derek Haas that Marilyn Stasio of the New York Times Book Review proclaimed “a devastatingly cool series,” goes on sale for just $2.99.

Get started today with the below excerpt of the first in the series, The Silver Bear. Get ready for Derek’s new novel THE RIGHT HAND coming November 2012, and Derek’s new show, Chicago Fire, this fall on NBC!

The Silver Bear

CHAPTER ONE

 

THE LAST DAY OF THE CRUELEST MONTH, AND APPROPRIATELY IT RAINS. Not the spring rain of new life and rebirth, not for me. Death. In my life, always death. I am young; if you saw me on the street, you might think, “what a nice, clean-cut young man. I’ll bet he works in advertising or perhaps a nice accounting firm. I’ll bet he’s married and is just starting a family. I’ll bet his parents raised him well.” But you would be wrong. I am old in a thousand ways. I have seen things and done things that would make you rush instinctively to your child’s bedroom and hug him tight to your chest, breathing quick in short bursts like a misfiring engine, and repeat over and over, “It’s okay, baby. It’s okay. Everything’s okay.”

I am a bad man. I do not have any friends. I do not speak to women or children for longer than is absolutely necessary. I groom myself to blend, like a chameleon darkening its pigment against the side of an oak tree. My hair is cut short, my eyes are hidden behind dark glasses, my dress would inspire a yawn from anyone who passed me in the street. I do not call attention to myself in any way.

I have lived this way for as long as I can remember, although in truth it has only been ten years. The events of my life prior to that day, I have forgotten in all detail, although I do remember the pain. Joy and pain tend to make imprints on memory that do not dim, flecks of senses rather than images that resurrect themselves involuntarily and without warning. I have had precious little of the former and a lifetime of the latter. A week ago, I read a poll that reported ninety percent of people over the age of sixty would choose to be a teenager again if they could. If those same people could have experienced one day of my teenage years, not a single hand would be counted.

The past does not interest me, though it is always there, just below the surface, like dangerous blurs and shapes an ocean swimmer senses in the deep. I am fond of the present. I am in command in the present. I am master of my own destiny in the present. If I choose, I can touch someone, or let someone touch me, but only in the present. Free will is a gift of the present; the only time I can choose to outwit God. The future, your fate, though, belongs to God. If you try to outsmart God in planning your fate, you are in for disappointment. He owns the future, and He loves O. Henry endings. Continue reading ›

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