One of Entertainment Weekly‘s 20 Must-Read Books of the Fall
When it comes to law and order, East Texas plays by its own rules—a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the lone star state, he was the first in his family to get as far away from Texas as he could. Until duty called him home.
When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders—a black lawyer from Chicago and a local white woman—have stirred up a hornet’s nest of resentment. Darren must solve the crimes—and save himself in the process—before Lark’s long-simmering racial fault lines erupt. A rural noir suffused with the unique music, color, and nuance of East Texas, Bluebird, Bluebird, is an exhilarating, timely novel about the collision of race and justice in America.
Attica Locke is the author of Pleasantville, which won the 2016 Harper Lee Prize for Legal Fiction and was long-listed for the Baileys Women’s Prize for Fiction; Black Water Rising, which was nominated for an Edgar Award; and The Cutting Season, a national bestseller and winner of the Ernest Gaines Award for Literary Excellence. She was a writer and producer on the Fox drama Empire. A native of Houston, Texas, Attica lives in Los Angeles, California, with her husband and daughter.
“In Bluebird, Bluebird Attica Locke had both mastered the thriller and exceeded it. Ranger Darren Mathews is tough, honor-bound, and profoundly alive in corrupt world. I loved everything about this book.” —Ann Patchett
“Attica Locke’s Bluebird, Bluebird reads like a blues song to East Texas with all its troubles over property, race, and love. . . . Locke’s small town murder investigation reveals what lies at the heart of America’s confusion over race.” —Walter Mosley, author of Down the River unto the Sea
“Brooding, timely, gripping” —Family Circle
“Locke, having stockpiled an acclaimed array of crime novels, deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.” —Kirkus Reviews (starred review)
“From the first beautifully done scene until the finale, this is a very propulsive novel concerning old deeds that keep influencing the present, injustice and courage—a powerful and dramatic look at contemporary black life in rural America.” —Daniel Woodrell, author of The Maid’s Version