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A Soundtrack for The Killing Kind

Sep 21, 2015 in Guest Posts, Mulholland Authors, Music

The Killing Kind by Chris Holm

In a recent interview for The Life Sentence, I was asked (by an interviewer who knows damn well that I’m a music geek, on account of she’s my wife) what Michael Hendricks’s theme song would be. Here’s what I answered:

First of all, Michael would never pick himself a theme song; he’s way too self-serious for that. So I envision that question being fielded by his partner in crime, Lester Meyers, who’s a little more playful about their endeavor of killing people for money. Lester would choose James Brown’s “The Payback.” It’s a bouncy revenge tale. It’s funky. It’s interesting. If Hendricks were forced to choose his own theme song, it’d be darker, more morose. Jimi Hendrix’s “Machine Gun,” maybe. It’s a menacing, sinuous anti-war tale. I also think Massive Attack’s “Protection” wouldn’t be a bad theme song for him. In fact, if The Killing Kind were a movie, you could put “The Payback” over the opening credits and “Protection” over the closing credits, since the latter’s built around a sample of the former.

Ever since, I’ve been wondering what a soundtrack for The Killing Kind would sound like. Its antagonist, Alexander Engelmann, takes pleasure in his bloody work, and demands something arch. Its action scenes require propulsive, energetic tracks. Special Agents Thompson and Garfield deserve a nod, at least. Our damaged antihero, Hendricks, longs for a woman whose love he feels he no longer deserves, so songs of heartbreak and longing are a must. And, of course, I need something gut-wrenchingly sad for that scene in which… well, you’ll see.

Chris Holm is an award-winning short-story writer whose work has appeared in a number of magazines and anthologies, including Ellery Queen’s Mystery Magazine, Needle: A Magazine of Noir, and The Best American Mystery Stories 2011. His Collector trilogy, which blends fantasy with old-fashioned crime pulp, wound up on over forty Year’s Best lists. David Baldacci called his latest, the hitman thriller The Killing Kind, “a story of rare, compelling brilliance.” Chris lives in Portland, Maine.

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